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January 2006, Washington DC
Guillermo Trujillo

Among Other Things

Painter, sketcher, engraver, ceramist, muralist tapestry expert, sculptor and architect.

Because of the long list of exhibitions and various eloquent languages used by Guillermo Trujillo, the importance of this figure in Panama's Fine Arts is clear.

One of the initiators of Panama's modern movement in paintings during the fifties, his extensive work is developed in successive phases in which his message becomes more complex and his composition more elaborate in a constant process of maturity and evolution which lasts, without interruption, until today, always faithful, however, to his aesthetic vision in which the two elements of a constant research are combined in this artist: Nature and Man, within an all-embracing national and universal vision.

He started out with watercolors descriptively representing Panama's landscape, gradually drifting toward a modern style and comes to incorporate the human figure in abstractions and stylizations creating visions now critic or ironic of society, now Man as Nature's brother. He symbolizes this Man in his ideal valuation or even, transformed by rituals or myths incorporated to telluric mysteries. In his work there is a gradual union of autochthonous elements, thanks to the shapes and textures of indigenous cultures which even today are part of his compositions. In this massive production, the presence of his country's landscape has never been abandoned although he has varied his interpretation, indicating the evolution phases of his work.

Endowed with a high dose of stamina, daily, constant, almost obsessive dedication of this artist for his work, takes him to a monumental production whose attempt at synthesis is made naive and where it is present,: Panama's urban characters, pre-Hispanic myths, vegetable world in its abundance of novel visions. Always in vital messages representing a thematic ideology focused on visions of freedom, delight, in a message that life is a daily celebration of movement, color, lights.

 

His work combines the nervous uneasiness of his human research with the constant movement of his compositions technically depicted through an intricate lineal mesh or by pointillism which serves as a background for this unfolding of characters and elements of Nature. His chromatic values always contrasting and strong translate the tropical feeling of Nature even though his many phases have been earmarked by various predominant chromatic tonalities. Thus today, the abundance of bright and luminous greens and blues of his 2000 phase where his famous "nuchos" are installed - vertical, stylized forms combining human kind with the symbolism of indigenous batons indicating power over the forces of nature - is succeeded by a phase of clear colors where white and pastel colors are predominant in an artist whose surprising creativity has been the reason why he has exercised influence on a generation of artists - through his extensive years of teaching because of his poignant and strong language.

Dr. Angela de Picardi

Prada Gallery is open from Tuesday through Saturday from 11:00 am - 6:00pm , and Mondays by appointment only.   It is located in the heart of Georgetown in Washington DC, at 1030 Wisconsin Ave., NW .  

ESSAY

When Nature and Humans Are One

Nature comes alive in the paintings of Guillermo Trujillo.   His brush brings to life a celebration of land and sea and the magical creatures that dwell above and below in harmonious and humorous pleasure.   Among these creatures, a mix of fantasy and humans metamorphosize into swaying grasses and shamanic wands inspired by the indigenous myths and legends that are so much a part of Panamá's rich traditions.    

Guillermo Trujillo was born in the rural province of Chiriquí in the Republic of Panamá in 1927.   He has always been fascinated by the artifacts of a past (and present) that speak of mysterious rituals and a heritage that has come to inform the arts and crafts of his country - pottery, textiles, basketry, and carving, in particular.   In Panamá, the indigenous peoples have long integrated complex patterns and a variety of surface effects into their decorative techniques.   Undoubtedly, many of the patterns represented a symbolic language, much of which has been lost over time.   Trujillo is recognized as the Master who has brought these symbols as visual elements into a modern context in his remarkable works.   His paintings celebrate the flora and fauna of Panamá, and the strange humans and other anthropomorphic creatures that inhabit its forests and shores and emerge to observe and participate in a peculiar dance of secret collaboration and intrigue.   This bevy of swaying, elongated creatures is always engaged in a scintillating dance that can be as spiritually motivated as it is whimsical.  

Trujillo presents his verdant world as a synthesis of elements that is further transformed by exhilarating colors that range from brilliant reds and blues to pastel pinks.   In layer upon layer of pigment, he obsessively describes crosshatches and irregular grids of striations and other markings to construct a dazzling spatial environment for his bizarre characters and their stories.   Trujillo is the magician that can bring together nature and her human inhabitants into synchronous harmony.  

Carol Damian
Florida International University
Miami

BIOGRAPHY

FACTS AND LIFE

1927 Born at Horconcitos, Chiriqui

1941 - 1947 Lives in Panama and studies at the National Institute

1953 - Graduated as Architect, University of Panama

1954 - Receives a scholarship and travels to Madrid, where he studied painting at the San Fernando

Academy. He studied ceramics at the Moncloa's School of Ceramics, Spain.

Attends the Higher School of Architecture, Madrid, Spain.

1955 - His first individual exhibition, Clan Library, Madrid, Spain.

1956 - Returns to Panama and teaches at the University of Panama, where his influence will be present in generation of Panamanian artists.

1960 - Participates in the II Art's Biennial , Mexico, F.D.

1965 - Esso's Exhibition Room of Young Artists, Washington, D.C. U.S.

1966 - Sao Paulo's Biennial, Brasil succeeded by the Medellin's Biennials of Cali, Colombia; Mexico,

F.D. and more than forty collective works throughout the United States, Japan, Spain,France, Germany, Latin America and Panama.

1981-84 Founded and managed the Ceramic's Atelier, the Guabas, Faculty

of Architecture, University of Panama.

1990 - A book is published on Trujillo's work, essay by Pedro Luis Prados, Museum of Contemporary Art (MCA), Panama.

1997 - Exhibits his 40-year production in retrospect, at the Rufino Tamayo's Museum, Mexico, F.D.

2005 - Lives and works actively in Panama.

INDIVIDUAL EXHIBITIONS

1956 - Clan Library, Madrid, Spain.

1957 - Buchois Library, Madrid, Spain.

1958 - Fernando Fe Gallery, Madrid, Spain.

1959 - National Museum, Panama.

1960 - Gibco Gallery, Panama

1961 - Organization of America States (OAS), Washington, D. C., U.S.

1962 - Institute of Panamanian Art (Panarte), Panama

1964 - Eleven to Eleven Petite Galérie, Miami, Florida, U.S.

1965 - Institute of Contemporary Art, Lima, Peru.

1967 - Institute of Panamanian Art (Panarte), Panama.

Institute of Contemporary Art of Lima, Peru.

1968 - Institute of Panamanian Art (Panarte), Panama.

1969 - Institute of Panamanian Art (Panarte), Panama.

Organization of American States (OAS), Washington, D.C., U.S.

Institute of Panamanian Art (Panarte), Panama.

1971 - El Muro Gallery, USIS, Panama.

El Morro Gallery, San Juan, Puerto Rico.

1973 - Institute of National Arts and Culture, Caracas, Venezuela

Luis Angel Arango Library, Bogota, Colombia.

1974 - Palace of Fine Arts, Mexico, F.D.

Structure Gallery, Panama.

1975 - Arvil Gallery, Mexico, F.D.

Etcetera Gallery, Panama.

1976 - Institute of Panamanian Art (Panarte), Panama.

"Guillermo Trujillo in Retrospect", Institute of Panamanian Art (Panarte), Panama.

1978 - Reolero Gallery, San Jose, Costa Rica.

1979 - Etcetera Gallery, Panama.

1980 - Modern Art Gallery, Santo Domingo, Dominican Republic.

1981 - Arteconsult Gallery, Panama.

1982 - Arteconsult Gallery, Panama.

Casa de las Americas, Havana, Cuba.

1984 - Nader Gallery, Santo Domingo, Dominican Republic.

Forma Gallery, Miami, Florida, U.S.

1985 - Arteconsult Gallery, Panama.

1986 - Museum of Contemporary Art (CAM), Panama.

1987 - Habitante Gallery, Panama.

1988 - Costa Rica's Art Museum, San Jose, Costa Rica

1990 - "Recent Works" - Elite Fine Art, Coral Gables, Florida, U.S.

1992 - Elite Fine Art, Coral Gables, Florida, U.S.

1993 - Elite Fine Art, Coral Gables, Florida, U.S.

"Trujillo, in Retrospect", Museum of Contemporary Art (MCA), Panama.

1995 - "Pastels 95", Habitante Gallery, Panama.

Elite Fine Art, Coral Gables, Florida, U.S.

1997 - "In Retrospect" Rufino Tamayo Museum, Mexico, F.D., Mexico

1998 - Legacy Fine Art, Panama

Elite Fine Art, Coral Gables, Florida, U.S.

1999 - "Drawings and Sculptures", Legacy Fine Art, Panama.

2001 - "Guillermo Trujillo, the Eternal Dance of The Nuchos, 1990-2000" - Museum

of Latin American Art, Miami, U.S.

2003 - "Recent Works"; Circle of Fine Arts, Madrid, Spain.

"Recent Works", Maison d l'Amérique Latine", Monaco.

 

AWARDS

1953 Third Prize, Manuel Amador Guerrero, Panama.

1956/58 Creation Award Our Lady of Guadalupe, Madrid, Spain

1957 First Prize, Project for Madrid's Western Park, Commissariat of Urban Planning, Madrid, Spain.

1957 II Award, Xerox Contest, Panama

1958 Honorable Mention, V Biennial, Sao Paulo Brasil

1958 First Price , Xerox Contest, Panama

1965 Acquisition Award, Esso's Exhibit Room, San Salvador, El Salvador.

1973 First Prize, Xerox Contest, Panama

1974 First Prize, Xerox Contest, Panama

1993 Prize for Excellency in Fine Arts, Museum of Contemporary Art (MCA), Panama.

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